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Professor Cat Hope

Adjunct Professor

Contact Information Email: c.hope@ecu.edu.au,
Staff Member Details
Email: c.hope@ecu.edu.au

 

Cat is an Adjunct Professor at the Western Australian Academy of Performing Arts.

Background

Professor Cat Hope is an academic with an active profile as a composer, sound artist and musician based in Western Australia. She is the director of the award winning new music ensemble Decibel and has toured internationally. Cat’s composition and performance practices explore the physicality of sound in different media, and has been discussed in books such as Loading the Silence (Kouvaris, 2013), Women of Note (Appleby, 2012), Sounding Postmodernism (Bennett, 2011) as well as periodicals such as The Wire (UK, 2013), Limelight (Aus, 2012) and Neu Zeitschrift Fur Musik Shaft (Ger, 2012). Her works have been recorded for Australian, German and Austrian national radio, and her work has been awarded a range of prizes including the APRA|AMC Award for Excellence in Experimental Music in 2011, 2014 and the Peggy Glanville Hicks residency in 2014. She is a Churchill and Civitella Ranieri Fellow, and has been resident at the Visby International Composers Centre in Sweden. She has collaborated with Australian visual artists such as Tracey Moffat, Kate McMillan, Erin Coates and Tina Havelock-Stevens and has written work for the London Improvisers Orchestra amongst others.

Qualifications

  • Doctor of Philosophy (Fine Art), Royal Melbourne Institute of Technology, 2010.
  • , TAFE WA, 2006.
  • Bachelor of Music with 2nd Class Honours, The University of Western Australia, 1992.

Research

Recent Research Grants

  • Curating the Performing Arts: Improvisation as a mechanism to engage diverse and local communities in arts programs.,  Perth Institute of Contemporary Arts Ltd,  Scholarships to Support Industry Engagement PhD Projects,  2017 - 2020,  $29,000.
  • Audiences for artmusic and sound art in Western Australia: Understanding and evaluating Tura New Music programs. ,  Tura New Music Ltd,  Scholarships to Support Industry Engagement PhD Projects,  2016 - 2020,  $35,000.
  • Graphic Music Notation in Networked Performance Environments,  Edith Cowan University,  Australia-Germany JRC Scheme (UA-DAAD),  2015 - 2018,  $24,400.
  • The Western Australia New Music Archive: 1970 ? today: Finding, accessing, remembering, performing.,  Australian Research Council,  Grant - Linkage (Projects),  2012 - 2017,  $985,255.
  • Decibel commissions 7 new music compositions from visual and experimental artists ,  Australia Council for the Arts,  Australia Council for Music - New Work,  2016 - 2017,  $53,160.
  • The creative development of SPEECHLESS, a wordless opera by Cat Hope,  Australia Council for the Arts,  Grant,  2016,  $50,669.
  • Screening the Score: Exploring the Potentials and Limitations of Presenting Music Notation on the iPad,  Edith Cowan University,  ECU Early Career Researcher Grant - 2014,  2014 - 2016,  $20,000.
  • The economic and social impacts of contemporary music in Western Australia (WAM project),  Edith Cowan University,  ECU Capability Enhancement Scheme - 2015 or earlier,  2015 - 2016,  $28,410.
  • Saxology: recasting third stream music for the saxophone ,  Edith Cowan University,  ECU Early Career Researcher Grant - 2014,  2014 - 2015,  $23,560.
  • After Julia: 8 new works by Australian Composers to be performed by Decibel.,  Australia Council for the Arts,  Australia Council for Music - New Work,  2014,  $22,560.
  • Decibel 2013 European Tour,  Australia Council for the Arts,  International Pathways,  2013 - 2014,  $29,590.
  • Applications for networked tablet computers as interactive music readers, writers and players,  Nortel Networks,  Grant - Development - 2011,  2011 - 2013,  $18,770.
  • Commissioning of Australian Composers for Decibels 2012 program,  Australia Council for the Arts,  Grant,  2012 - 2013,  $18,060.
  • The Western Australia New Music Archive: 1970 - Today: Accessing, Remembering, Performing,  Edith Cowan University,  ECU Industry Collaboration - Grant,  2008 - 2010,  $87,800.
  • The Australian Music Navigator: Research Infrastructure for Discovering, Accessing and Analysing Australia's Musical Landscape,  Australian Research Council,  Grant - Linkage (Infrastructure),  2009 - 2010,  $480,000.

Recent Publications (within the last five years)

Books

  • Hope, C., Ryan, J., (2014), Digital Arts: An Introduction to New Media. Berg New Media Series, 288, New York, USA, Bloomsbury Professional.

Book Chapters

  • Hope, C., Mackinney, L., Green, L., Travers, M., Mahoney, T., (2015), The Western Australian New Music Archive: Performing as remembering. Research, Records and Responsibility: ten years of PARADISEC, 209-225, Sydney, Australia, Sydney University Press.

Conference Publications

  • Hope, C., (2017), Reading 'Free Music:' Adapting Percy Grainger's 'Free Music' Scores for Live Performance. Proceedings of the 2015 WA Chapter MSA Symposium on Music Performance and Analysis, 140-152, Perth, Western Australia, Western Australian Chapter of the Musicological Society of Australia.
  • Goh, T., Hope, C., (2016), Regional Western Australia and Sound Art: A survey of works by Alan Lamb and Ross Bolleter. Sound Scripts Volume 5, 5(21 May 2015), 24-32, Ulitmo, New South Wales, Australian Music Centre.
  • Hope, C., Terren, M., (2016), The Possibilities of a Line: Marking the Glissando in Music. Tenor 2016, 2(27-29 May, 2016), 176-180, Cambridge, UK, Anglia Ruskin University.
  • Travers, M., Hope, C., (2016), We Could Play That Last Century: Archiving Digital 20th Century Digital Performing Arts in Western Australia. Sound Scripts Volume 5, 5(21 May 2015), 15-18, Ulitmo, New South Wales, Australian Music Centre.
  • Hope, C., James, S., Wyatt, A., (2016), Headline grabs for music: The development of an iPad score generator. Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 375-376, online only, Queensland Conservatorium Griffith University.
  • Travers, M., Hope, C., (2015), Who wants a trautonium must build one. Proceedings of the 2015 Conference of the Australasian Computer Music Association, 64-68, Australasian Computer Music Association.
  • Terren, M., Hope, C., (2015), Map-Making Towards an Onto-Cartography of the Digital Audio Workstation. Proceedings of the Annual Conference of the Australasian Computer Music Association, 112-118, Australasian Computer Music Association.
  • Hope, C., Wyatt, A., Vickery, L., (2015), The Decibel ScorePlayer: New Developments and Improved Functionality. Proceedings of the 41st International Computer Music Conference ICMC 2015 , 314-317, San Francisco, United States of America, International Computer Music Association.
  • Hope, C., Vickery, L., (2015), The Decibel Scoreplayer - a Digital Tool for Reading Graphic Notation. TENOR 2015: International Conference on Technologies for Music Notation and Representation, 59-69, Paris, Institut de Recherche en Musicologie.
  • Green, L., Hope, C., Stevenson, K., Mahoney, T., (2015), Archiving the new, now, for future users yet unknown. ANZCA Conference Proceedings 2015, 11p., Australian and New Zealand Communication Association.
  • Green, L., Mahoney, T., Hope, C., Mackinney, L., (2014), Publishing an archive: A meta-narrative of (be)longing. Proceedings of the Australian and New Zealand Communication Association Annual Conference, 2014, 1-15, ANZCA.
  • Travers, M., Hope, C., (2014), W(h)ither Trautonium?. Digital Humanities Australasia 2014 conference full proceedings, 3p, Australasian Association for Digital Humanities.
  • Wyatt, A., Hope, C., (2013), Animated Music Notation on the iPad (Or: Music stands just weren't designed to support laptops). Proceedings of the 2013 ICMC Conference Presented by Tura New Music, The International Computer Music Association, Australasian Computer Music Association and the Western Australian Academy of Performing Arts at Edith Cowan University, 201-207, San Francisco, CA, USA, International Computer Music Association.
  • Hope, C., Green, L., Mahoney, T., (2013), The Western Australian New Music Archive: finding, accessing, remembering and performing a community of practice. Refereed Proceedings of the 2013 Australian and New Zealand Communication Association conference: Global Networks-Global Divides: Bridging New and Traditional Communication Challenges, 18p, Perth, WA, Australian and New Zealand Communication Association.
  • James, S., Hope, C., (2013), 2D AND 3D Timbral Spatialisation: Spatial Motion, Immersiveness, and Notions of Space. Proceedings of the 2013 ICMC Conference Presented by Tura New Music, The International Computer Music Association, Australasian Computer Music Association and the Western Australian Academy of Performing Arts at Edith Cowan University, 77-84, San Francisco, CA, USA, International Computer Music Association.
  • Hope, C., Vickery, L., Wyatt, A., James, S., (2013), Mobilising John Cage: The Design and Creation of Score Generators for the Complete John Cage Variations I?VIII. Malaysian Music Journal, 2(21 - 23 August 2013), 34-45, Tanjong Malim, Perak, Penerbit University Pendidikan Sultan Idris.
  • Travers, M., Hope, C., (2013), Electronic Music is Here to Stay - Or is it?. Proceedings of the 19th International Symposium on Electronic Art, ISEA2013, Sydney, 4 p., Sydney, NSW, University of Sydney.
  • Hope, C., Green, L., Mackinney, L., Mahoney, T., (2013), Harnessing the Arc Hive. Proceedings of the Emerging Issues in Communication Research and Policy Conference, 2013, 23-31, Canberra, ACT, University of Canberra.
  • Francis, M., Hope, C., (2013), Site in sound: A review of four musical works that integrate site into sound. SoundScripts: Proceedings of the 2011 Totally Huge New Music Festival Conference, 4(16-18 September, 2011), 22-28, Australian Music Centre.
  • Vickery, L., Hope, C., James, S., (2012), Digital adaptions of the scores for Cage Variations I, II and III. Proceedings of the International Computer Music Conference 2012: Non-Cochlear Sound, 426-432, California, USA, International Computer Music Association.
  • Hope, C., James, S., Vickery, L., (2012), New digital interactions with John Cage?s Variations IV, V and VI. Australasian Computer Music Conference: 'Interactive' Conference Proceedings, 23-30, Victoria, Australia, Australasian Computer Music Association.

Non-Traditional Research Outputs

  • Hope, C., (2016), Very Low Frequency Tones - Shadow, Tone Being, Majority of One, Pure. Various, Sydney Conservatorium of Music, NSW. Scale Variable Series, Perth. Berlin. Tokyo. Kampnagel, Hamburg, Germany., Tura New Music, Ensemble Arcades/ Japan Sound Art Sociaty, International Sound and Music Computing Conference..
  • Vickery, L., Hope, C., James, S., Wyatt, A., (2016), Decibel: Deutscher Akademischer Austauschdienst/Universities Australia Exchange with Hochschule fur Musik und Theatre. Decibel DAAD/Universities Australia Exchange with HfMT (Hamburg), Hochschule fur Musik und Theatre/WAAPA, Decibel.
  • Hope, C., (2016), Great White - score. Great White, Hochschule fur Musik und Theater, DAAD exchange program.
  • Hope, C., (2015), Dynamic Architecture 1 (composition)., Composed for Mark Cauvin, C Hope.
  • Hope, C., (2015), Pulupe Strings (composition). Sweet Tribology, Paris, France, Julia Drouhin.
  • Hope, C., (2015), Erst (composition). Anime, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., (2015), Tension Lines (composition). Anxious Objects, Moana Art Gallery, Perth, Kate McMillan.
  • Hope, C., Kanga, Z., (2015), Fourth Estate (composition). Dark Twin, The Melbourne Recital Centre, Sydney Conservatorium, Art Gallery of WA, Zubin Kanga.
  • Hope, C., (2015), Sub Aerial (composition)., New Music Beauty Queen, Melbourne, and PICA, The Sound Collectors.
  • Hope, C., James, S., (2015), Feather. Akousmatikoi Concert (Totally Huge New Music Festival), WA Museum Foyer, Tura New Music.
  • Hope, C., (2015), Her Pockets Full of Inertia (composition)., Premiered at Canberra School of Music, C Hope.
  • Hope, C., (2014), Signals Directorate. vs. Interpretation Festival, Skolska 28 Gallery, Cech Republic.
  • Hope, C., (2014), Jimmy Rosenberg and an Italian Connection to the Birth of Violin Metal. Rosenberg 3.0 not violin music, 88-96, Australia, The Rosenberg Museum.
  • Hope, C., (2014), The End of Abe Sada (piece). What I See When I Look At Sound, PICA.
  • Hope, C., (2014), Broken Approach., ABC Studio, Brisbane.
  • Hope, C., (2014), Wall Drawing. Music for Strings and iThings, ABC Studio, Adelaide.
  • Hope, C., (2014), Art Calls (composition). Art Calls, GOMA, Brisbane.
  • Hope, C., (2014), The End of Abe Sada (installation). What I See when I look at Sound, Perth Institute of Contemporary Arts, Perth Institute of Contemporary Arts.
  • Hope, C., McMillan, K., (2014), The Moment of Disappearance (installation). Buruwan, Carriageworks, Sydney, The Performance Space.
  • Hope, C., (2014), Lupara Bianca. Shock of the New Festival, Spectrum Project Space.
  • Hope, C., (2014), Chrome Arrow. Digital Arts - Introduction to New Media book launch, Bon Marche Studio, University of Technology, Sydney.
  • Hope, C., (2014), Tough it Out (composition). After Julia, ABC Ultimo Centre, Sydney.
  • Hope, C., (2014), The End of Abe Sada. The End of Abe Sada, Perth, W.A., PICA Press.
  • Hope, C., Muir, R., (2013), Sound of Decay. Semipermeable(+), 19th International Symposium on Electronic Art, Sydney, Powerhouse Museum, Sydney, SymbioticA, Powerhouse Museum.
  • Hope, C., Hayes, SA., (2013), Luminous Dreams. Luminous Dreams, Geraldton Yacht Club, Geraldton, University of Western Australia.
  • Hope, C., (2013), Drawn from Sound - Curator's Introduction. Drawn from Sound, Tura New Music.
  • Vickery, L., Hope, C., (2013), The Talking Board II. 12th Annual NOW now Festival 2013, The Red Rattler, Sydney, The NOW Now Festival.
  • Hope, C., (2013), Sinister Glamour of Modernity. East Meets West concert featuring Dawn Bennett and Diana Bloom, WAAPA Main Auditorium.
  • Hope, C., (2013), Lowest Drawer. Sound Quality Program, ABC Studio 2, Sydney, ABC Television Studio 22.
  • Hope, C., (2013), Sogno102. Inner Space ? The Giacinto Scelsi Project, Goethe Institute, Palermo, Italy, Curva Minore.
  • Hope, C., (2013), Black Disciples. Black Disciples, ABC studio 620, Perth, ABC Classic FM.
  • Hope, C., McMillan, K., (2012), Paradise Falls I - sound component. Paradise Falls, Venn Gallery, Perth, WA, Venn.
  • Hope, C., (2012), Black Emperor. International Space Time Concerto Competition, Newcastle Conservatorium, Main Hall, NSW., University of Newcastle.
  • Hope, C., Vickery, L., (2012), Evolver by Candied Limbs. Experimental WAMI Festival Showcase, The Bakery, Northbridge.
  • Hope, C., (2012), Stella Degradation. Shock of the New, Main Auditorium, WAAPA, WAAPA.
  • Hope, C., (2012), Liminum 2012., Naples, Italy; State Theatre Centre, Perth; Sound Spectrum.
  • Hope, C., McMillan, K., (2012), Paradise Falls II - sound component. Paradise Falls, Venn Gallery, Venn.
  • Hope, C., (2012), Miss Fortune X. Sounding A Room - Tura 25th Anniversary Concert #3, Hackett Hall Gallery, Western Australian Museum, Tura New Music.
  • Hope, C., (2012), Juanita Neilsen. Music on A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., (2012), Black Eels. Everything Always, ABC Studio 227, Sydney, ABC Classic FM.
  • Hope, C., James, S., Wyatt, A., Vickery, L., Parr, T., Cahnam, N., (2016), Decibel - Cissie Tang - The Light that was Waiting. Peggy Glanville-Hicks Address: Nicole Canham - The Poetry of the Present, State Library of Western Australia Lecture Theatre, Tura New Music, Peggy Glanville Hicks Address.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tonkin, C., Devenish, L., (2016), Intermodulations: A homage to Roger Smalley. Scale Variable New Chamber Music, Concert 1: Intermodulations, State Theatre Centre, Northbridge, WA, Tura New Music.
  • Vickery, L., James, S., Wyatt, A., Boynes, L., Hope, C., (2016), Decibel Tokyo Wonder Site Residency. Decibel: Tokyo Wonder Site Residency, Tokyo Wonder Site, Tokyo Wonder Site.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2016), Decibel - Chance Figurations. Chance Figurations: Japan, Tokyo WonderSite, Hyongo, ICLA, Yamanashi University, Kofu, Kunitachi University, Tokyo Metropolitan University, Japan.
  • Hope, C., (2016), Trigger Warning - sound element. Trigger Warning, Perth Institute of Contemporary Arts, Performing Lines.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Robinson, C., (2015), Occam Ocean Hexa II. Occam: The Music of Eliane Radigue, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Hayward, R., Cauvin, M., James, S., (2015), The Obvious Foundation by Robin Hayward. Sound Unbound: Music from visitors - Robin Hayward, Spectrum Project Space, DAAD Germany.
  • Hope, C., Vickery, L., Parr, T., Wyatt, A., James, S., Devenish, L., (2015), Loaded [NSFW] by Laura Jane Lowther. After Julia, Perth Institute of Contemporary Arts, Tura New Music/Difficult Listening.
  • Hope, C., Vickery, L., James, S., Devinish, L., Parr, T., Wyatt, A., (2014), Decibel: Free Music No. 1 and No. 2. Reading Free Music, The Percy Grainger Museum, Melbourne, The Percy Grainger Museum.
  • Hope, C., Vickery, L., James, S., Devinish, L., Parr, T., Wyatt, A., (2014), The Making of The Moment of Disappearance. Buruwan, Carriageworks, Sydney, The Performance Space.
  • Hope, C., (2014), Fetish 26. Art Bar, Museum of Contemporary Arts, Sydney.
  • Hope, C., Vickery, L., James, S., Devinish, L., Parr, T., Wyatt, A., (2014), After Julia - Decibel. After Julia, Eugene Goosens Hall, Sydney, ABC Classic FM.
  • Hope, C., (2014), The Low Grooms #3. Laydz in Noyz, The Old Bar, Melbourne.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2014), Art Calls. Art Calls, Skype.
  • Hope, C., (2014), Fetish 25. Pretty Gritty, 107 Projects, Redfern, Sydney, Gail Preist.
  • Hope, C., Perrier, L., (2014), Crion (with Laurent Perrier). Quartz Session, Club 56, Paris, Quartz.
  • Hope, C., (2013), Fetish 23. MainOFF 2013, Real Fonderia, Piazza Fonderia, Palermo, Italy, Brusio NetLabel.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations VIII with ipad notations. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Vickery, L., Hope, C., James, S., (2013), Vice Versa by Amanda Stewart - Decibel. Australian Music Program, Dig Gallery, Kosice , Dig Gallery.
  • Vickery, L., Hope, C., Wyatt, A., Parr, T., Devenish, L., (2013), Free Music No. 2 by Percy Grainger - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Vickery, L., James, S., Hope, C., Parr, T., (2013), Decibel performance of Cat Hope's Lowest Drawer. Australian Music Program, Dig Gallery, Kosice, Slovakia, Dig Gallery.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), The Perils of Disobedience by Rachael Dease - Decibel. The Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), N Dimension by Stuart James - Decibel. Australian Music Program, Krakow, Poland & Kosice, Slovakia, Decibel.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Sogno 102 by Cat Hope. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Italy, Curva Minore.
  • Hope, C., Vickery, L., Devenish, L., James, S., Wyatt, A., Parr, T., (2013), In the Beginning of What Exactly - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., Devenish, L., James, S., Wyatt, A., Parr, T., (2013), Water Rat Tea Ceremony by Anita Hustas - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., (2013), The Days When Crows Watch Us Play by Sam Gillies - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), Resident Frequencies by Henry Anderson - Decibel. The Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi 'Tre Pezzi'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., (2013), Way Out Back by Alvin Curran - Decibel. International Computer Music Conference, The Key Note, Western Australia State Museum, International Computer Music Association, San Francisco and Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Lindsay Vickery's ounhorbares wird horbar (the inaudible becomes audible). Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., (2013), Candied Limbs in Singapore. C.H.O.P.P.A. experimental music series, Blu Jazz, Singapore, C.H.O.P.P.A..
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2013), Unaware by Josten Myburgh - Decibel. Australian Music Program, Krakow, Poland and Kosice, Slovakia, Decibel.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, A., (2013), Decibel performance of John Cage Variations I with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations II with ipad score. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), Rapid Same Question by Chris Tonkin - Decibel. The Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., Devenish, L., (2013), Goldstream Variations by Scott Deal - Decibel. 2013 International Computer Music Conference , WA State Museum, International Computer Music Association.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations V with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi/Lindsay Vickery 'After Pranam II'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations IV with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations VI with ipad notation. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Lindsay Vickery 'The Last Years'. ABC Classic FM, Studio 620 ABC Perth, ABC Classic FM.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi 'Maknonogon'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi 'Aitsi'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Italy, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., (2013), Flat Time Sounding by David Toop - Decibel. 2013 International Computer Music Conference , WA State Museum, International Computer Music Association.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations III with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Vickery, L., Hope, C., James, S., (2013), Point Studies no. 2 by David Kim-Boyle - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., Parr, T., James, S., (2013), Silent Revolution by Lindsay Vickery - Decibel. Australian Music Program, Bunkier Sztuki, Krakow, Poland , Art Audio Festival.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), The past is never far behind by Johannes Luebbers - Decibel. Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura new Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Giacinto Scelsi 'Aleluilia'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Italy, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations VII with ipad notation. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Giacinto Scelsi 'Kho Lho''. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Vickery, L., Hope, C., Wyatt, A., Parr, T., James, S., (2013), The Aura Implicit by Sam Gillies - Decibel. Australian Music Program, Dig Gallery, Kosice, Slovakia, Dig gallery.
  • Parr, T., Wyatt, A., Hope, C., (2013), Tsunami by Nathan Thompson - Decibel. Drawn From Sound, Spectrum Project Space, New Music Network/ABC Classic FM.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Wyatt, A., Moncreiff, C., Parr, T., (2012), Prowler by Bohren und der Club of Gore. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., James, S., Vickery, L., Riddoch, M., Parr, T., Wyatt, A., (2012), EVP (Electronic Voice Phenomenon) by Lindsay Vickery. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Winter Fragments by Tristan Murail. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Premiere etude (les ombres) by Lionel Marchetti. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Texture/Residue by Agostino Di Scipio. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., James, S., Gray, A., Wyatt, A., Rushford, J., Hamman, J., Parr, T., (2012), Juanita Neilsen by Cat Hope. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Gray, A., Shaun, C., Kruger, B., (2012), Blood On the Floor Painting 1986 by Fausto Romitelli. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., (2012), Decabell by Lyndon Blue. Music on A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., Parr, T., (2012), Variations I by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Riddoch, M., James, S., (2012), Variations VI by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Vickery, L., Hope, C., James, S., Parr, T., Riddoch, M., (2012), Ghosts of Departed Quantities by Lindsay Vickery - Decibel European Tour. Decibel European Tour, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), In The Cut by Cat Hope - Decibel European Tour. Decibel European Tour: SomAcoustica , Logos Foundation, Ghent, Belgium, Decibel/ECU/Tura New Music.
  • Hope, C., (2012), Fetish #22. NoiseMachin #8, Artifactory, WA..
  • Hope, C., Vickery, L., (2012), Lakota. SOUND UNBOUND #1: Dafeldecker, Tricoli, Candied Limbs, Spectrum Project Space, WAAPA.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Bury The Sound by Erik Griswald. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Variations V by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Vickery, L., James, S., (2012), West Park by Samuel Dunscombe - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., Parr, T., (2012), Transit of Venus by Lindsay Vickery - Decibel European Tour. Decibel European Tour: SomAcoustica and Tape It, Logos Foundation, Ghent, Belgium; Stadthalle, Biberach, Germany, Decibel.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Torndirrup by Amber Fresh. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Gray, A., (2012), Where the Dust Sets: A Requiem for Forgotten Places by Clare Nina Norelli. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Francis, M., Parr, T., Hogan, J., Wyatt, A., (2012), Scorpio's View by Lalo Schifrin - Decibel. Sounding A Room, Hackett Hall Gallery, WA Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Miss Fortune X by Cat Hope. Sounding A Room, Ted X, Hackett Hall Gallery, WA State Museum; Octagon Theatre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Forever Alone Together Or by Christopher Cobilis. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), From Traffic Rises by Mace Francis. Sounding A Room, Hackett Hall Gallery, WA Museum.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Variations II by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., (2012), Beginning to Collapse by Julian Day - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Prima Vista by Mauricio Kagel - Decibel European Tour. Decibel European Tour: SomAcoustica and Tape It, Logos Foundation, Ghent, Belgium; Stadthalle, Biberach, Germany, Decibel.
  • Hope, C., Vickery, L., Riddoch, M., Parr, T., (2012), Ever Present by Alvin Lucier - Decibel European Tour. Decibel European Tour: SomAcoustica and Tape It, Logos Foundation, Ghent, Belgium; Stadthalle, Biberach, Germany, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., (2012), The Talking Board by Cat Hope and Lindsay Vickery - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Another Noisey Lullaby by Warren Burt - Decibel European Tour. Decibel European Tour: SomAcoustica, Logos Foundation, Ghent, Belgium, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., (2012), Free Music No. 1 by Percy Grainger - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, Italy, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Point Studies #1 by David Kim-Boyle. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Cells by Joe Stawarz. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., James, S., Vickery, L., Wyatt, A., Parr, T., Gray, A., (2012), The Auctioneer Says by Jon Rose. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Johnson, J., McKay, J., (2012), The Music of Jenny O Johnson. Beautiful Fragments // Traumatic Memories, Main Auditorium, WAAPA, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Riddoch, M., (2012), Variations IV by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hamman, J., Rushford, J., Gray, A., Bill, D., (2012), Do You Know How To Waltz by Low. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., Riddoch, M., James, S., Moncreiff, C., Wyatt, A., Parr, T., (2012), Canaries in the Mineshaft and Edison Medicine by JG Thirlwell. Small Things, State Theatre Centre, W.A., Tura New Music.
  • Hope, C., James, S., Vickery, L., Parr, T., Wyatt, A., (2012), Espalier by James Rushford. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., James, S., Vickery, L., Parr, T., Wyatt, A., Rushford, J., Hamman, J., (2012), U Bahn c1985: The Rosenberg Variations by Lindsay Vickery and Jon Rose. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Longing by Cat Hope - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Wyatt, A., Parr, T., Gillies, S., Moriarty, J., Cole, M., (2012), Cage Uncaged. Uncaged, Main Auditorium, WAAPA, WAAPA.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Agilus, Mimoid, Symmetriad by Lindsay Vickery. Sounding a Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Variations VII by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Ockelford, K., McMillan, K., May, D., (2014), Making music for The Moment of Disappearance. The making of The Moment of Disappearance , Rivoli Ballroom, East London.
  • Hope, C., (2013), Blood River., YouTube.
  • Hope, C., (2013), Interfearance recording and broadcast. MUSERUOLE :: women in experimental music, Radia, Italy (An international network of 24 independent stations), Women's Museum, Merano.
  • Hope, C., (2013), Platinum Fox. Luminosity, CD recording.
  • Hope, C., Vickery, L., James, S., Riddoch, M., (2013), Still and Moving Lines: The Music of Alvin Lucier recording. Still and Moving Lines: The Music of Alvin Lucier , WAAPA, Decibel.
  • Hope, C., Parr, T., (2013), HzHzHz self titled album. HzHzHz, Brusio NetLabel, Brusio NetLabel.
  • Hope, C., (2013), Languid Sigh. The Transmuted Signal, Kunst Radio, Austria, Kunst Radio, Austria.
  • Hope, C., Vickery, L., Wyatt, A., James, S., (2013), The Decibel ScorePlayer., iTunes.
  • James, S., Hope, C., (2012), Stasis Ecstatic - Decibel. Decibel: Stasis Ecstatic, The Soundfield Studio, Stuart James and Cat Hope.
  • Hope, C., (2012), My Own Private remix. Human Xerox Project - My Own Private by Rabbit Island/Cat Hope , Poons Head Recording Studio, Fremantle.
  • Hope, C., (2015), Anime (curatorial & performance aspects). Scale Variable, Perth Institute of Contemporary Arts, Tura new music.
  • Hope, C., (2014), After Julia. After Julia, Euguene Goosens Hall, ABC Centre, Sydney, ABC Classic FM.
  • Hope, C., (2013), Decibel Australian Music Program, Krakow and Kosice. Australian Music Program, Bunkier Sztuki, Krakow, Poland, Audio Art Festival.
  • Hope, C., (2013), International Computer Music Conference - Music Director. International Computer Music Conference, WA State Museum, PICA, State Theatre Centre, International Computer Music Association.
  • Hope, C., (2013), Decibel's Western Australian Composers Project at PICA - Curator. The Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura new Music.
  • Hope, C., (2013), Inner Space: the Giacinto Scelsi Project. Cage/Scelsi 101, The Goethe Insitute, Palermo, Italy, Curva Minore.
  • Hope, C., (2013), Curation of Decibel's program The Lower Drawer. 19th International Symposium on Electronic Art, ISEA2013, Sydney, ABC Studio 3, Ultimo, NSW, ABC Radio National.
  • Hope, C., (2013), Drawn From Sound - Curator. Drawn From Sound, Spectrum Project Space, New Music Network/Tura New Music.
  • Hope, C., (2012), Small Things - Decibel. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., (2012), Music on A String: Jon Rose was 60 - Decibel. Music on A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., (2012), Sounding A Room program - Decibel. Sounding A Room - Tura 25th Anniversary Concert #3, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., (2012), The Complete John Cage Variations Project. Curva Minore; Scale Variable 2012 Concert 1; The Cage in Us, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane.

Research Student Supervision

Principal Supervisor

  • Master of Arts (Creative Arts),  The Making Disgrace Kelly: Dragging The Diva Through Cabarets, Pubs And Into The Recital Hall
  • Master of Arts (Performing Arts),  Creating And Performing New Australian Works On The Hungarian Concert Cimbalom.
  • Master of Arts (Performing Arts),  Towards An Interactive Environment For The Performance Of Dubstep Music.
  • Doctor of Philosophy,  Music In Site: Integrating Elements Of Site-specificity Into Composition
  • Master of Arts (Performing Arts),  Self-accompaniment And Improvisation In Solo Jazz Piano: Practice-led Investigations Of Assimilation, Ostinatos And 'hand Splitting'
  • Doctor of Philosophy,  Spectromorphology And Spatiomorphology: Wave Terrain Synthesis As A Framework For Controlling Timbre Spatialisation In The Frequency Domain
  • Doctor of Philosophy,  Pedagogy In Performance: An Investigation Into Decision Training As A Cognitive Approach To Circus Training.

Associate Supervisor

  • Doctor of Philosophy,  Bury Me Deep In Isolation: A Cultural Examination Of A Peripheral Music Industry And Scene.
  • Doctor of Philosophy,  Ronald Stevenson, Composer-pianist: An Exegetical Critique From A Pianistic Perspective.
  • Doctor of Philosophy,  Sighting Circus: Perceptions Of Circus Phenomena Investigated Through Diverse Bodies.
  • Doctor of Philosophy,  What Remains Is The Book: The Idea Of The Book In And Around Electronic Space
  • Master of Arts (Creative Arts),  An Investigation Into The Use Of Visual Stimuli When Performing Spectrally Directed Computer Music.
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