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Dr Lindsay Vickery

Senior Lecturer

Contact Information Telephone: +61 8 6304 6193706864, Email: l.vickery@ecu.edu.au, Campus: Mount Lawley, Room: ML2.110
Staff Member Details
Telephone: +61 8 6304 6193706864
Email: l.vickery@ecu.edu.au
Campus: Mount Lawley  
Room: ML2.110  

 

Lindsay is a Senior Lecturer and coordinator of the Composition and Music Technology Program at the Western Australian Academy of Performing Arts.

Background

Lindsay Vickery has active as a composer and performer across Europe, the USA and Asia since 1986. His music includes works for acoustic and electronic instruments in interactive-electronic, improvised or fully notated settings, ranging from solo pieces to opera and has been commissioned by numerous groups for concert, dance and theatre. His music has been described as 'always intriguing' The Wire, 'truly an original voice and his work is one of sustained intensity that resonates in the mind long after the performance is over' and a 'master of technological wizardry' The Australian.

Vickery is a highly regarded performer on reed instruments and electronics, touring as a soloist and with ensembles in festivals including Myrkir Músiíkdagar, Audio Art, ISEA, SWR Tage für Neue Musik MATA, NWEAMO, WHATISMUSIC? and the Shanghai, Sydney, Adelaide and Perth International Arts Festivals. He was a founding member of Alea New Music Ensemble (1987-1992), Magnetic Pig (1992-2003), SQUINT (2002-) and HEDKIKR (2002-) and Decibel (2009-). He is the recipient of a Sounds Australian Award (1989), a 1995 Churchill Fellowship to study electronic music at STEIM and CNMAT (1995) and a seeding Grant by the Australian Major Festivals Initiative to conduct research at STEIM, HarvestWorks, and the University of Illinois (Champagne-Urbana) (2001).

Vickery is active as a lecturer, writer and critic and is a regular contributor to journals and conferences including Organised Sound, ICMC, NIME, TENOR, SMC EVAA and ACMC. His research interests are in fields of Screenscores, Eye-movement tracking, Interactive Music, Non-Linear Formal Structures, New Media, use of Film as a score, Poly-tempo Music, Alternate Controllers, Music Analysis and Music Culture. He has also has worked as music critic for The West Australian, Singapore Business Times and Soundscapes Magazine and written program notes for the Sydney Symphony Orchestra on the work of Arvo Pärt. He was the co-convener of the Australasian Computer Music Conference 2003 and 2016 and the International Computer Music Conference 2013.

Awards and Recognition

International and National Research Awards

  • 2001 - Seeding grant: Australian Major Festivals Initiative to conduct research at STEIM, HarvestWorks, and the University of Illinois (Champagne-Urbana)
  • 1995 - Churchill Fellowship to study electronic music at STEIM and CNMAT
  • 1989 - Sounds Australian Award

Research Areas and Interests

Extended music notation, screenscores, interactive music, nonlinear formal structures, new media, polytemporal music, alternate controllers, music analysis and music culture.

Qualifications

  • Master of Music, The University of Western Australia.
  • Doctor of Philosophy, Queensland University of Technology, 2013.

Research

Recent Research Grants

  • Curating the Performing Arts: Improvisation as a mechanism to engage diverse and local communities in arts programs.,  Perth Institute of Contemporary Arts Ltd,  Scholarships to Support Industry Engagement PhD Projects,  2017 - 2020,  $29,000.
  • Graphic Music Notation in Networked Performance Environments,  Edith Cowan University,  Australia-Germany JRC Scheme (UA-DAAD),  2015 - 2018,  $24,400.
  • Decibel commissions 7 new music compositions from visual and experimental artists ,  Australia Council for the Arts,  Australia Council for Music - New Work,  2016 - 2017,  $53,160.
  • Screening the Score: Exploring the Potentials and Limitations of Presenting Music Notation on the iPad,  Edith Cowan University,  ECU Early Career Researcher Grant - 2014,  2014 - 2016,  $20,000.
  • Decibel 2013 European Tour,  Australia Council for the Arts,  International Pathways,  2013 - 2014,  $29,590.
  • After Julia: 8 new works by Australian Composers to be performed by Decibel.,  Australia Council for the Arts,  Australia Council for Music - New Work,  2014,  $22,560.
  • Applications for networked tablet computers as interactive music readers, writers and players,  Nortel Networks,  Grant - Development - 2011,  2011 - 2013,  $18,770.

Recent Publications (within the last five years)

Journal Articles

  • Vickery, L., Devenish, L., James, S., Hope, C., (2017), Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery. Contemporary Music Review, 36(1-2), 15-35, Oxford, UK, Taylor and Francis, DOI: 10.1080/07494467.2017.1371879.
  • Vickery, L., (2014), The Limitations of Representing Sound and Notation on Screen. Organised Sound, 19(3), 215-227, Cambridge, UK, Cambridge University Press, DOI: 10.1017/S1355771814000193.
  • Vickery, L., (2012), The Evolution of Notational Innovations from the Mobile Score to the Screen Score. Organised Sound, 17(2), 128-136, Cambridge, UK, Cambridge University Press, DOI: 10.1017/S1355771812000052.

Conference Publications

  • Vickery, L., James, S., (2017), The Enduring Temporal Mystery of Ornette Coleman's Lonely Woman. Proceedings of the 2015 WA Chapter MSA Symposium on Music Performance and Analysis, 49-63, Perth, Western Australia, Western Australian Chapter of the Musicological Society of Australia, in conjunction with the Western Australian Academy of Performing Arts, Edith Cowan University .
  • Vickery, L., (2017), Visualising the Sonic Environment. Do Androids Dream of Computer Music? Proceedings of the Australasian Computer Music Conference 2017, 43-50, Elder Conservatorium of Music, The University of Adelaide..
  • Vickery, L., (2016), The Role of Ring Modulation in the Formal Structure of Roger Smalley's Monody for Piano with Live Electronic Modulation. Sound Scripts Volume 5, 5(21 May 2015), 97-107, Ulitmo, New South Wales, Australian Music Centre.
  • Vickery, L., Christiansen, B., (2016), Role-Play and Invariance: Two Aspects of Ritual in Roger Smalley?s Ceremony II. Sound Scripts Volume 5, 5(21 May 2015), 85-96, Ulitmo, New South Wales, Australian Music Centre.
  • Vickery, L., Terren, M., Gillies, S., Myburgh, J., (2016), Between the Real and the Imaginary: Ecostructural Approaches to Composing with Field Recordings and Acoustic Instruments. Proceedings of the 2016 Annual Conference of the Australasian Computer Music Association, 81-89, online only, The Australasian Computer Music Association.
  • Vickery, L., (2016), Rhizomatic approaches to screen-based music notation. Proceedings of the 16th International Conference on New Interfaces for Musical Expression, 394-400, online only, Queensland Conservatorium Griffith University.
  • Vickery, L., James, S., (2016), Tectonic: a networked, generative and interactive, conducting environment for iPad. Proceedings of the 42nd International Computer Music Conference, 542-547, Utrecht, The Netherlands, HKU University of the Arts.
  • Vickery, L., (2016), Hybrid Real/Mimetic Sound Works. Tenor 2016, 19-24, Cambridge, UK, Anglia Ruskin University.
  • Vickery, L., Goh, T., (2015), Music Screen-Reading: indicative results from two pilot studies. ACMC2015 - MAKE!: Proceedings of the Annual Conference of the Australasian Computer Music Association, 119-125, Australasian Computer Music Association.
  • Vickery, L., (2015), Through the eye of the needle: Compositional applications for visual/sonic interplay. ACMC2015 - MAKE!: Proceedings of the Annual Conference of the Australasian Computer Music Association, 126-133, Australasian Computer Music Association.
  • Vickery, L., (2015), An Approach to the Generation of Real-time Notation via Audio Analysis: The Semantics of Redaction. Looking Back, Looking Forward: Proceedings of the International Computer Music Conference 2015, 360-363, San Francisco, California, United States, International Computer Music Association.
  • Hope, C., Wyatt, A., Vickery, L., (2015), The Decibel ScorePlayer: New Developments and Improved Functionality. Proceedings of the 41st International Computer Music Conference ICMC 2015 , 314-317, San Francisco, United States of America, International Computer Music Association.
  • Hope, C., Vickery, L., (2015), The Decibel Scoreplayer - a Digital Tool for Reading Graphic Notation. TENOR 2015: International Conference on Technologies for Music Notation and Representation, 59-69, Paris, Institut de Recherche en Musicologie.
  • Vickery, L., (2014), Exploring a Visual/Sonic Representational Continuum. Proceedings of the 40th International Computer Music Conference 2014, 1(14-20 Sep 2014), 177-184, International Computer Music Association.
  • Vickery, L., (2014), Notational Semantics in Music Visualisation and Notation. Proceedings of the Australasian Computer Music Conference 2014, 101-112, ACMA.
  • Hope, C., Vickery, L., Wyatt, A., James, S., (2013), Mobilising John Cage: The Design and Creation of Score Generators for the Complete John Cage Variations I?VIII. Malaysian Music Journal, 2(21 - 23 August 2013), 34-45, Tanjong Malim, Perak, Penerbit University Pendidikan Sultan Idris.
  • Kosowitz, S., Vickery, L., (2013), Retaining a sense of spontaneity in Free Jazz improvisation through music technology. Proceedings of the 2011 Totally Huge New Music Festival Conference, 4(16-18 September, 2011), 88-96, Australia, Australian Music Centre.
  • Gillies, S., Vickery, L., (2013), Reflections on the construction of meaning through immanent visual association. Proceesdings of the 2011 Totally Huge New Musical Festival Conference, 4(16-18 September 2011), 71-77, Australia, Australian Music Centre.
  • Hope, C., James, S., Vickery, L., (2012), New digital interactions with John Cage?s Variations IV, V and VI. Australasian Computer Music Conference: 'Interactive' Conference Proceedings, 23-30, Victoria, Australia, Australasian Computer Music Association.
  • Vickery, L., (2012), Adapting John Cage?s Radio Music for a digital score player. Australasian Computer Music Conference: 'Interactive' Conference Proceedings, 69-77, Victoria, Australia, Australasian Computer Music Association.
  • Vickery, L., Hope, C., James, S., (2012), Digital adaptions of the scores for Cage Variations I, II and III. Proceedings of the International Computer Music Conference 2012: Non-Cochlear Sound, 426-432, California, USA, International Computer Music Association.

Non-Traditional Research Outputs

  • Vickery, L., Hope, C., James, S., Wyatt, A., (2016), Decibel: Deutscher Akademischer Austauschdienst/Universities Australia Exchange with Hochschule fur Musik und Theatre. Decibel DAAD/Universities Australia Exchange with HfMT (Hamburg), Hochschule fur Musik und Theatre/WAAPA, Decibel.
  • Vickery, L., (2016), Works exploring spectral analysis as a compositional tool. Works exploring spectral analysis as a compositional tool, WAAPA, HfMT Hamburg, Tokyo Wondersite, WAAPA, HfMT, Tokyo Wondersite.
  • Vickery, L., (2016), Works exploring Eco-Structuralism. Works exploring Eco-Structuralism, WAAPA, Griffith, ANU, Anglia Ruskin Uni, Yamanashi Uni, Kunitachi College, Tokyo Metropolitain Uni, WAAPA, SLWA, ANU, TENOR, ACMC, Decibel..
  • Vickery, L., (2015), The Miracle of the Rose. Scale Variable: Concert 2 Gesture: The Sound Collectors, PICA, Tura New Music.
  • Vickery, L., (2015), trash vortex. Spectral Manipulation, California Institute of the Arts, California Institute of the Arts.
  • Vickery, L., (2015), residual drift. Silent Revolution, The Firehouse Space, Brooklyn New York, The Firehouse Space.
  • Vickery, L., (2015), flitter [2015] for soprano saxophone, electric guitar, harp and independent click-tracks. Sounds Unbound: Music from Visitors, Spectrum Project Space, WAAPA.
  • Vickery, L., (2015), detritus. ?ogla Byltingin | Silent Revolution, Harpa Concert Hall, Reykjavik, Myrkir Musikdagar.
  • Vickery, L., (2015), ...with the fishes... Australasian Computer Music Conference, University of Technology Sydney, The Australasian Computer Music Association.
  • Vickery, L., (2015), between-states. between-states, Orpheus Instituut, Ghent and Murdoch University, Orpheus Instituut.
  • Vickery, L., (2014), Lyrebird - scoreplayer. 8 Hits, Queensland Conservatorium, Brisbane, Queensland Conservatorium.
  • Vickery, L., (2014), The semantics of redaction. 8 Hits, ABC Southbank Centre Brisbane, ABC Classic FM.
  • Vickery, L., (2014), Incidental Music for Lorca's Blood Wedding [2014]. Blood Wedding, Roundhouse Theatre WAAPA, WAAPA.
  • Vickery, L., (2014), Sacrificial zones. Australasian Computer Music Conference 2014, Victorian College of the Arts, Australasian Computer Music Association.
  • Vickery, L., (2014), Murmurs trapped in the bark [2014]. Lindsay Vickery, Skolska 28 and Club Zho, Michel Kindernay.
  • Vickery, L., (2014), in nomine tenebris [2014]. Inner Space : The Giacinto Scelsi Project, Melbourne Recital Centre, New Music Network/Tura.
  • Vickery, L., (2014), Nature forms I [2014]. International Computer Music Conference, Onassis Cultural Centre, Athens, Greece, International Computer Music Association.
  • Vickery, L., (2013), The Last Years, Composer., ABC Studio, Perth, ABC FM.
  • Vickery, L., Hope, C., (2013), The Talking Board II. 12th Annual NOW now Festival 2013, The Red Rattler, Sydney, The NOW Now Festival.
  • Vickery, L., (2013), Silent Revolution. Polysonics: 19th International Symposium on Electronic Art, ABC TV Studio 22, Sydney, International Symposium on Electric Art.
  • Vickery, L., (2013), Study for no-input bass clarinet no. 3. The Guerrilla Sessions, undisclosed location, Cat Hope.
  • Vickery, L., (2013), Resonance manifestations. Shock of the New, Spectrum Project Space, WAAPA.
  • Vickery, L., (2013), unhorbares wird horbar (the inaudible becomes audible). Inner Space ? The Giacinto Scelsi Project, Goethe Institute Palermo, Italy , Curva Minore.
  • Vickery, L., (2013), Cities sunk in endless slumber. Luminosity: Musical Treasures from UWA, Callaway Auditorium, UWA School of Music, School of Music, University of Western Australia.
  • Scelsi, G., Vickery, L., (2013), After Pranam II. Inner Space ? The Giacinto Scelsi Project, Goethe Insitute, Palermo, Italy, Curva Minore.
  • Vickery, L., Rose, J., (2012), Ubahn c1985: the Rosenberg Variations. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Vickery, L., (2012), Study No 1. for No-Input Bass Clarinet. Shock of the New, Spectrum Project Space, WAAPA.
  • Hope, C., Vickery, L., (2012), Evolver by Candied Limbs. Experimental WAMI Festival Showcase, The Bakery, Northbridge.
  • Vickery, L., (2012), EVP (Electronic Voice Phenomenon). Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Vickery, L., (2012), Hivemind. Sound Spectrum Festival: Lab Fly Dreams, Spectrum Project Space, WAAPA.
  • Vickery, L., (2012), Study for no-input Bass Clarinet No. 2. Noizemachin #12, The Artifactory, The Artifactory.
  • Vickery, L., James, S., Knight, P., (2012), Perditempo. Trio James Knight Vickery e gli amici a Perditempo, Perditempo, Piazza Dante, Napoli, Dario Sanfilippo.
  • Vickery, L., (2012), Agilus, Mimoid, Symmetriad. Sounding a Room, Hackett Hall Gallery, WA Museum, Decibel.
  • Vickery, L., James, S., Wyatt, A., Boynes, L., Hope, C., (2016), Decibel Tokyo Wonder Site Residency. Decibel: Tokyo Wonder Site Residency, Tokyo Wonder Site, Tokyo Wonder Site.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tonkin, C., Devenish, L., (2016), Intermodulations: A homage to Roger Smalley. Scale Variable New Chamber Music, Concert 1: Intermodulations, State Theatre Centre, Northbridge, WA, Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2016), Decibel - Chance Figurations. Chance Figurations: Japan, Tokyo WonderSite, Hyongo, ICLA, Yamanashi University, Kofu, Kunitachi University, Tokyo Metropolitan University, Japan.
  • Hope, C., James, S., Wyatt, A., Vickery, L., Parr, T., Cahnam, N., (2016), Decibel - Cissie Tang - The Light that was Waiting. Peggy Glanville-Hicks Address: Nicole Canham - The Poetry of the Present, State Library of Western Australia Lecture Theatre, Tura New Music, Peggy Glanville Hicks Address.
  • Hope, C., Vickery, L., Parr, T., Wyatt, A., James, S., Devenish, L., (2015), Loaded [NSFW] by Laura Jane Lowther. After Julia, Perth Institute of Contemporary Arts, Tura New Music/Difficult Listening.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Robinson, C., (2015), Occam Ocean Hexa II. Occam: The Music of Eliane Radigue, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Devinish, L., Parr, T., Wyatt, A., (2014), The Making of The Moment of Disappearance. Buruwan, Carriageworks, Sydney, The Performance Space.
  • Vouris, P., Vickery, L., (2014), Pallas Athena Polias by Petro Vouris. International Computer Music Conference 2014: Music with Solo Instruments I , Onassis Cultural Centre, Athens, Greece, International Computer Music Association.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2014), Art Calls. Art Calls, Skype.
  • Hope, C., Vickery, L., James, S., Devinish, L., Parr, T., Wyatt, A., (2014), Decibel: Free Music No. 1 and No. 2. Reading Free Music, The Percy Grainger Museum, Melbourne, The Percy Grainger Museum.
  • Vickery, L., (2014), Sacrificial Zones. ACMC 2014: Live Diffusion Concert, Victorian College of the Arts, Founders Gallery, Australasian Computer Music Association.
  • Hope, C., Vickery, L., James, S., Devinish, L., Parr, T., Wyatt, A., (2014), After Julia - Decibel. After Julia, Eugene Goosens Hall, Sydney, ABC Classic FM.
  • Vickery, L., (2014), Works for solo reeds and electronics. Vs Interpretation Festival, Skolska 28, Prague, Michal Kindernay.
  • Vickery, L., Terren, M., Gillies, S., (2014), WAAPA performances : Sogno102, The Aura Implicit and Nature Forms I - Director. International Computer Music Conference 2014: Music for ensemble, Onassis Cultural Centre, Athens, Greece, International Computer Music Association.
  • Vickery, L., Hope, C., James, S., (2013), Vice Versa by Amanda Stewart - Decibel. Australian Music Program, Dig Gallery, Kosice , Dig Gallery.
  • Vickery, L., Hope, C., Wyatt, A., Parr, T., Devenish, L., (2013), Free Music No. 2 by Percy Grainger - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Vickery, L., James, S., Wyatt, T., (2013), Black Disciples by Cat Hope - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Vickery, L., James, S., Hope, C., Parr, T., (2013), Decibel performance of Cat Hope's Lowest Drawer. Australian Music Program, Dig Gallery, Kosice, Slovakia, Dig Gallery.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), The Perils of Disobedience by Rachael Dease - Decibel. The Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), N Dimension by Stuart James - Decibel. Australian Music Program, Krakow, Poland & Kosice, Slovakia, Decibel.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Sogno 102 by Cat Hope. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Italy, Curva Minore.
  • Hope, C., Vickery, L., Devenish, L., James, S., Wyatt, A., Parr, T., (2013), In the Beginning of What Exactly - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., Devenish, L., James, S., Wyatt, A., Parr, T., (2013), Water Rat Tea Ceremony by Anita Hustas - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., (2013), The Days When Crows Watch Us Play by Sam Gillies - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), Resident Frequencies by Henry Anderson - Decibel. The Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi 'Tre Pezzi'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., (2013), Way Out Back by Alvin Curran - Decibel. International Computer Music Conference, The Key Note, Western Australia State Museum, International Computer Music Association, San Francisco and Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Lindsay Vickery's ounhorbares wird horbar (the inaudible becomes audible). Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., (2013), Candied Limbs in Singapore. C.H.O.P.P.A. experimental music series, Blu Jazz, Singapore, C.H.O.P.P.A..
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2013), Unaware by Josten Myburgh - Decibel. Australian Music Program, Krakow, Poland and Kosice, Slovakia, Decibel.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, A., (2013), Decibel performance of John Cage Variations I with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations II with ipad score. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), Rapid Same Question by Chris Tonkin - Decibel. The Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., Devenish, L., (2013), Goldstream Variations by Scott Deal - Decibel. 2013 International Computer Music Conference , WA State Museum, International Computer Music Association.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations V with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi/Lindsay Vickery 'After Pranam II'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations IV with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations VI with ipad notation. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Lindsay Vickery 'The Last Years'. ABC Classic FM, Studio 620 ABC Perth, ABC Classic FM.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi 'Maknonogon'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel Performance of Giacinto Scelsi 'Aitsi'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Italy, Curva Minore.
  • Vickery, L., James, S., (2013), Concertino by Maruillio Cacciatore - Decibel. 2013 International Computer Music Conference, WA State Museum, International Computer Music Association, San Francisco and Tura New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Devenish, L., (2013), Flat Time Sounding by David Toop - Decibel. 2013 International Computer Music Conference , WA State Museum, International Computer Music Association.
  • Tomlinson, V., Vickery, L., Coessens, K., (2013), Nostalgia Gent, 2013. Music of the Imagination Six Experiments in Sound, Orpheus Research Centre in Music, Belgium, Orpheus Research Centre in Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations III with ipad scores. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Vickery, L., Hope, C., James, S., (2013), Point Studies no. 2 by David Kim-Boyle - Decibel. Drawn From Sound, ABC Studio 620, Perth, ABC Classic FM.
  • Hope, C., Vickery, L., Parr, T., James, S., (2013), Silent Revolution by Lindsay Vickery - Decibel. Australian Music Program, Bunkier Sztuki, Krakow, Poland , Art Audio Festival.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., Tanner, P., (2013), The past is never far behind by Johannes Luebbers - Decibel. Western Australian Composers Project, Perth Insitute of Contemporary Arts, PICA, Tura new Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Giacinto Scelsi 'Aleluilia'. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Italy, Curva Minore.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations VII with ipad notation. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of Giacinto Scelsi 'Kho Lho''. Inner Space - The Giacinto Scelsi Project, Goethe Insitute, Palermo, Curva Minore.
  • Vickery, L., James, S., (2013), Soliloquies; echoes by Maurice Wright - Decibel. 2013 International Computer Music Conference, WA State Museum, International Computer Music Association.
  • Parra, J., Griswold, E., Vickery, L., Tomlinson, V., (2013), Flux Pattern V 2013. Music of the Imagination Six Experiments in Sound, Orpheus Research Centre in Music, Gent, Belgium, Orpheus Research Centre in Music.
  • Vickery, L., Hope, C., Wyatt, A., Parr, T., James, S., (2013), The Aura Implicit by Sam Gillies - Decibel. Australian Music Program, Dig Gallery, Kosice, Slovakia, Dig gallery.
  • Hope, C., Vickery, L., James, S., Wyatt, A., Parr, T., (2013), Decibel performance of John Cage Variations VIII with ipad notations. The Complete John Cage Variations Project, Ex Asilo Filangieri, Naples, Italy, Decibel New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Wyatt, A., Moncreiff, C., Parr, T., (2012), Prowler by Bohren und der Club of Gore. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., James, S., Vickery, L., Riddoch, M., Parr, T., Wyatt, A., (2012), EVP (Electronic Voice Phenomenon) by Lindsay Vickery. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Variations VII by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Winter Fragments by Tristan Murail. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Premiere etude (les ombres) by Lionel Marchetti. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Texture/Residue by Agostino Di Scipio. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Gray, A., Shaun, C., Kruger, B., (2012), Blood On the Floor Painting 1986 by Fausto Romitelli. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., (2012), Decabell by Lyndon Blue. Music on A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., Parr, T., (2012), Variations I by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Vickery, L., Hope, C., James, S., Parr, T., Riddoch, M., (2012), Ghosts of Departed Quantities by Lindsay Vickery - Decibel European Tour. Decibel European Tour, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel.
  • Vickery, L., Wyatt, A., (2012), Liminum by Cat Hope. Small Things, State Theatre Centre, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), In The Cut by Cat Hope - Decibel European Tour. Decibel European Tour: SomAcoustica , Logos Foundation, Ghent, Belgium, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., (2012), Lakota. SOUND UNBOUND #1: Dafeldecker, Tricoli, Candied Limbs, Spectrum Project Space, WAAPA.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Bury The Sound by Erik Griswald. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Variations V by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Vickery, L., James, S., (2012), West Park by Samuel Dunscombe - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., Parr, T., (2012), Transit of Venus by Lindsay Vickery - Decibel European Tour. Decibel European Tour: SomAcoustica and Tape It, Logos Foundation, Ghent, Belgium; Stadthalle, Biberach, Germany, Decibel.
  • Vickery, L., Luebbers, J., Webster, J., Parr, T., Ayres, H., (2012), Stella Degradation by Cat Hope. Shock of the New, Main Auditorium, WAAPA, WAAPA.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Torndirrup by Amber Fresh. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Gray, A., (2012), Where the Dust Sets: A Requiem for Forgotten Places by Clare Nina Norelli. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Francis, M., Parr, T., Hogan, J., Wyatt, A., (2012), Scorpio's View by Lalo Schifrin - Decibel. Sounding A Room, Hackett Hall Gallery, WA Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Miss Fortune X by Cat Hope. Sounding A Room, Ted X, Hackett Hall Gallery, WA State Museum; Octagon Theatre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Forever Alone Together Or by Christopher Cobilis. Sounding A Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), From Traffic Rises by Mace Francis. Sounding A Room, Hackett Hall Gallery, WA Museum.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Variations II by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., (2012), Beginning to Collapse by Julian Day - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Prima Vista by Mauricio Kagel - Decibel European Tour. Decibel European Tour: SomAcoustica and Tape It, Logos Foundation, Ghent, Belgium; Stadthalle, Biberach, Germany, Decibel.
  • Hope, C., Vickery, L., Riddoch, M., Parr, T., (2012), Ever Present by Alvin Lucier - Decibel European Tour. Decibel European Tour: SomAcoustica and Tape It, Logos Foundation, Ghent, Belgium; Stadthalle, Biberach, Germany, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., (2012), The Talking Board by Cat Hope and Lindsay Vickery - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Another Noisey Lullaby by Warren Burt - Decibel European Tour. Decibel European Tour: SomAcoustica, Logos Foundation, Ghent, Belgium, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., (2012), Free Music No. 1 by Percy Grainger - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, Italy, Decibel/ECU/Tura New Music.
  • Vickery, L., James, S., (2012), Electronic Revolution by William Burroughs - Decibel European Tour. Decibel European Tour: SomAcoustica, Logos Foundation, Ghent, Belgium; Stadthalle, Biberach, Germany, Decibel.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Point Studies #1 by David Kim-Boyle. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Parr, T., Wyatt, A., (2012), Cells by Joe Stawarz. Small Things, Studio Underground, State Theatre Centre, Tura New Music.
  • Hope, C., James, S., Vickery, L., Wyatt, A., Parr, T., Gray, A., (2012), The Auctioneer Says by Jon Rose. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Johnson, J., McKay, J., (2012), The Music of Jenny O Johnson. Beautiful Fragments // Traumatic Memories, Main Auditorium, WAAPA, Decibel.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Riddoch, M., (2012), Variations IV by John Cage - Decibel. Curva Minore John Cage 100 Festival - The Complete John Cage Variations, Goethe Instute, Palermo; WA State Museum, WA; Cage In Us Festival, Brisbane, Decibel.
  • Vickery, L., (2012), Improbable Games Installation. International Computer Music Conference 2012, Kino Siska, International Computer Music Association.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hamman, J., Rushford, J., Gray, A., Bill, D., (2012), Do You Know How To Waltz by Low. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., Riddoch, M., James, S., Moncreiff, C., Wyatt, A., Parr, T., (2012), Canaries in the Mineshaft and Edison Medicine by JG Thirlwell. Small Things, State Theatre Centre, W.A., Tura New Music.
  • Hope, C., James, S., Vickery, L., Parr, T., Wyatt, A., (2012), Espalier by James Rushford. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., James, S., Vickery, L., Parr, T., Wyatt, A., Rushford, J., Hamman, J., (2012), U Bahn c1985: The Rosenberg Variations by Lindsay Vickery and Jon Rose. On A String: Jon Rose was 60, Perth Institute of Contemporary Arts, Tura New Music.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., (2012), Longing by Cat Hope - Decibel European Tour. Decibel European Tour - Far Away Ideas: New Experimental Music From Australia, WABE, Berlin; Zehntshuer, Rotterberg; Catania, Italy; Palermo, ITaly, Decibel/ECU/Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., Wyatt, A., Parr, T., Gillies, S., Moriarty, J., Cole, M., (2012), Cage Uncaged. Uncaged, Main Auditorium, WAAPA, WAAPA.
  • Hope, C., Vickery, L., James, S., Parr, T., Wyatt, A., Hogan, J., (2012), Agilus, Mimoid, Symmetriad by Lindsay Vickery. Sounding a Room, Hackett Hall Gallery, WA State Museum, Tura New Music.
  • Hope, C., Vickery, L., James, S., Riddoch, M., (2013), Still and Moving Lines: The Music of Alvin Lucier recording. Still and Moving Lines: The Music of Alvin Lucier , WAAPA, Decibel.
  • Hope, C., Vickery, L., Wyatt, A., James, S., (2013), The Decibel ScorePlayer., iTunes.

Research Student Supervision

Principal Supervisor

  • Master of Arts (Performing Arts),  The Application Of Konokol To Guitar Improvisation And Composition
  • Master of Arts (Creative Arts),  The Use Of Meditation Techniques As Creative Tools To Encourage Participation In Interactive Music Systems.

Co-principal Supervisor

  • Master of Arts (Performing Arts),  Towards An Interactive Environment For The Performance Of Dubstep Music.

Associate Supervisor

  • Doctor of Philosophy,  A Digital Resource For Navigating Extended Techniques On Bass Clarinet
  • Doctor of Philosophy,  Music In Site: Integrating Elements Of Site-specificity Into Composition
  • Doctor of Philosophy,  Bridging The Great Divide: An Exploration Of Postmodernism In The Guitar Music Of Nigel Westlake
  • Doctor of Philosophy,  Spectromorphology And Spatiomorphology: Wave Terrain Synthesis As A Framework For Controlling Timbre Spatialisation In The Frequency Domain
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