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Dr Matthew Styles

Senior Lecturer

Staff Member Details
Email: m.styles@ecu.edu.au
ORCID iD: https://orcid.org/0000-0003-4432-8684

Matt is Senior Lecturer in Saxophone studies, Coordinator of Honours (Music), postgraduate supervisor and musician injury researcher working with sports science specialists at the Western Australian Academy of Performing Arts.

Current Teaching

  • MUS4210 Research Preparation
  • MUS4220 Creative Project 1
  • MUS4215 Research Project
  • MUS 4225 Creative Project 2
  • MAP5116 Performing Arts Research Preparation
  • MAP6200 Masters Thesis
  • ART7200 Doctor of Philosophy (PhD) Creative Arts
  • MUS 1540, 545, 2542, 2544, 3540, 3546, 4621: Woodwind Workshop and Ensemble Studies
  • Junior and Senior Concert Practice

Background

Matt Styles is one of Australia’s most versatile saxophonists, working across jazz, classical, funk, and cross-genre music as a performer, educator, arranger, composer, and musical director. A performing educator, he has inspired audiences throughout the UK, Asia, and Australia.

Matt has collaborated with artists including Ben Folds, Diana Ross, Dave Weckl, Paul Grabowsky, Tim Minchin, Olivia Newton-John, and The Manhattan Transfer. He has performed at jazz festivals and appears on recordings, including Home by 11, an album of original Australian works by Mix’t Trio on Tall Poppies Records.

As principal saxophonist, Matt has performed with the Malaysian Philharmonic, Singapore Symphony, Western Australian Symphony, Tasmanian Symphony, and Perth Symphony Orchestras. Across three decades, he has built a repertoire spanning saxophone literature, jazz, and contemporary works.

A passionate advocate for new music, Matt has given more than 30 Australian and world-premiere performances, including numerous works as a soloist with orchestra. Highlights include Superhighway Saxophone Concerto by Holly Harrison, Seasons of Life by Glyn MacDonald, Four Postcards from Perth by Simone Lobbia, Catalina by James Ledger, and Aria and Finale by John Carmichael.

His academic studies include postgraduate training at London’s Royal College of Music, Indiana University, and the University of Minnesota, together with a Churchill Fellowship enabling study with leading saxophonists and educators. He later completed a Doctorate focused on interpretation, pedagogy, and performance of classical, jazz, and cross-genre works.
As founder of Western Australia’s first university saxophone program, Matt has spent more than 25 years developing versatile, career-ready musicians. His graduates work across performance, composition, education, arts management, entrepreneurship, and research.

His current research explores injury prevention for saxophonists through the integration of sports science, psychology, and music performance. With more than 30 years of teaching experience, Matt continues to shape musicians while maintaining an active and diverse performing career.

Professional Associations

Awards and recognition

National and International awards

  • 2004 Churchill Fellowship

Research areas and interests

  • Cross-genre pedagogy and performance
  • Bridging the divide between classical and jazz for classical musicians
  • Creating injury mitigation strategies for saxophonists through a multi-discipline approach with sports science

Qualifications

  • Bachelor of Music with Second Class Honours, The University of Western Australia.
  • Certificate IV in Training and Assessment TAE40116, Other WA registered training organisation, 2023.
  • Certificate IV in Training & Assessment, Edith Cowan University, 2013.
  • Doctor of Musical Arts, The University of Western Australia, 2008.

Research Outputs

Journal Articles

  • Ostrowski, KO., Styles, M., Allen, M. (2025). Adapting to Evolving Demands: Challenges in the Australian Musical Theatre Industry and Performer Training. Australian Voice, 26(Article in Press), 73-86. https://doi.org/10.56307/HYLK6706.
  • Allen, M., Styles, M. (2025). Sustaining the Sound: Practitioner Insights into Belting Technique in R&B/Soul Singing. Australian Voice, 26(Article in press), 30-56. https://doi.org/10.56307/KASG4764.
  • Demandolx, N., Nicholas, J., Hopper, L., Styles, M. (2025). Performance Health for Saxophonists: Saxophonists Perspectives and Experiences with Playing-Related Health, Wellbeing, Injuries and Education (Cohort Study). Music and Science, 8(Jun 2025), 14 pages. https://doi.org/10.1177/20592043251346328.
  • Allen, M., Styles, M. (2025). Defining the Sound: R&B/Soul Vocal Characteristics and the Role of Belting — Insights from Global Practitioners. Australian Voice, 26(2026), 15 pages. https://doi.org/https://doi.org/10.56307/MZLX9004.

Creative Arts Research Outputs

  • Paget, J., Smith, S., Oehlers, J., O'Halloran, T., Abbey, N., Grigson, F., Tarr, C., Greig, J., Li, S., Cao, K., Allen, M., Torrance, V., Zhang, D., White, T., Ling, K., Tang, Z., McMahon, J., Huang, C., Lemoh, T., Wang, M., Tang, T., Rowntree, Z., Boud, S., Browning, E., Styles, M., Ding, S., Wang, J. (2024). Nanjing Collaborations: Sparks and Synergies. [select audio files]. Richard Gill Auditorium, Western Australian Academy of Performing Arts.

Creative Arts Research Outputs

  • Styles, M. (2022). The ‘unrestricted’ Saxophone ensemble. [musicical performance]. Matt Styles.
  • Styles, M. (2022). Night Music in Madrid: Cimarosa Concerto. [Musical Performance]. Government House Ballroom.

Creative Arts Research Outputs

  • Styles, M. (2021). Four pictures From New York. [Musical Performance]. Shenton Arts Arena.
  • Styles, M. (2021). Mementi World Premiere performance and Studio recording. [musical performance and album recording]. Richard Gill Auditorium and Callaway Music Studios (Perth). https://ro.ecu.edu.au/ecuworkspost2013/11976.

Creative Arts Research Outputs

  • Styles, M. (2020). Three Colombian Scenes: Concertino for saxophone and symphonic wind orchestra by Victoriano Valencia. [Musical Performance]. Perth Concert Hall, Perth, Western Australia.

Creative Arts Research Outputs

Creative Arts Research Outputs

Creative Arts Research Outputs

  • Styles, M. (2017). One for saxophone and CD. Astute Music.
  • Styles, M. (2017). Saxology; Home by 11. ABC Classical FM.

Creative Arts Research Outputs

  • Styles, M. (2016). Adaptation of Symphonic Orchestral Performance Practices for the saxophone. Dewan Filharmonik, Malaysia.
  • Styles, M. (2016). Nemesis. St Patrick’s Basilica, Fremantle.

Journal Articles

Creative Arts Research Outputs

  • Styles, M. (2015). Mix't Trio - Cappuccino Concerts. Peppermint Grove Library.
  • Styles, M. (2015). WASO: Ravel's Bolero - Saxophone. Perth Concert Hall.

Creative Arts Research Outputs

  • Styles, M. (2014). Jinga, saxophone ensemble score. Royal Northern College of Music.
  • Styles, M. (2014). Fearful Symmetries, Hidden Love Song. Astor Theatre.
  • Styles, M., Scott, A., Bernard, S. (2014). Rite of Passage: Arrivee - Musical Director. WAAPA Music Auditorium.
  • Styles, M. (2014). Principal Saxophonist for WASO's Romeo and Juliet. Perth Concert Hall.
  • Styles, M. (2014). Pixar in Concert with the Malaysian Philharmonic Orchestra. Dewan Filharmonik, Kuala Lumpur.
  • Styles, M., Pinto, A., Tanner, P. (2014). Mix't Trio Recital. Music Auditorium, WAAPA.
  • Styles, M. (2014). Escapades. Music Auditorium, WAAPA.
  • Styles, M. (2014). Rachmaninov Symphonic Dances. Perth Concert Hall.
  • Styles, M. (2014). Bernstein and Gershwin: WASO Classics 2. Perth Concert Hall.
  • Styles, M. (2014). Bizet L’Arlésienne - Principal Saxophonist. Perth Concert Hall.

Creative Arts Research Outputs

  • Styles, M., Skinner, M., Pownall, L., McGowan, K., Boyd, A. (2013). Five Sax Orchestra at the Ellington. Ellington Jazz Club, Perth.
  • Styles, M. (2013). Royal Northern College of Music Saxophone Day lecture recital. Royal Northern College of Music Concert Hall, Manchester.
  • Styles, M. (2013). The Wooden Prince. Perth Concert Hall.
  • Styles, M. (2013). Compositional Techniques in Jinga (Rite of Passage). Royal Northern College of Music Concert Hall, Manchester.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio at Carey Baptist College. Carey Baptist College Auditorium, Harrisdale.
  • Styles, M., Abbey, N., Perkins, M., Macdonald, G. (2013). Glyn MacDonald Group at the Ellington. Ellington Jazz Club, Perth.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio at WAAPA. Music Auditorium, WAAPA.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio - Chamber Jam. Ellington Jazz Club, Perth.
  • Styles, M., Skinner, M., Pownall, L., McGowan, K., Boyd, A. (2013). Five Sax Orchestra. Ellington Jazz Club, Perth.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio - Integration. St Georges Hall, St George's College, Perth.
  • Styles, M. (2013). Saxophone embouchure injury: multi-genre performance problems. Recital Hall West, Sydney Conservatorium of Music, NSW.
  • Styles, M. (2013). Rite of Passage. WAAPA Music Auditorium.
  • Styles, M. (2013). Royal Northern College of Music Saxophone Day Massed Saxophone Orchestra. Royal Northern College of Mmusic Concert Hall, Manchester.

Creative Arts Research Outputs

  • Styles, M. (2012). Bernstein's Prelude Fugue and Riffs. Malaysian Philharmonic Orchestra.
  • Styles, M., Tarr, C., Abby, N., Macdonald, G. (2012). Glyn MacDonald Quartet. The Bakery, Northbridge.
  • Styles, M. (2012). Carmichael, Travers and Debussy - Saxophone. The Basilica of St Patrick, Fremantle.
  • Styles, M. (2012). Horizons - Turnage. Astor Theatre, Mt. lawley.
  • Styles, M., Pinto, A. (2012). Walk in my shoes lunchtime concert. Octagon Theatre, UWA.
  • Styles, M. (2012). Saxophone Showcase - Director. Music Auditorium, WAAPA.
  • Styles, M., Perissinotto, D. (2012). Churchill Fellowship Recital - Platti & Paulsson. St John's Anglican Church, Fremantle.
  • Styles, M., Pinto, A. (2012). Catalina, Nocturnal - Mixt. Byre Theatre, St. Andrew's, Scotland.
  • Styles, M. (2012). Boundaries - Turnage. Astor Theatre, Mt Lawley.
  • Styles, M. (2012). Australian Ballet's Romeo and Juliet. Burswood Theatre, Perth.
  • Styles, M. (2012). Assembled - Music Director. Music Auditorium, WAAPA.

Conference Publications

  • Styles, M. (2011). What’s in a Name? Is the term ‘Third Stream Music’ truly representative of the music it is supposed to describe? Would the term ‘Jazzical’ be just as appropriate?. Power of Music: Joint MSA / ICME Conference, 2011 (1-12). University of Western Australia.

Creative Arts Research Outputs

  • Styles, M., Moore, P. (2011). Kick. Music Auditorium, WAAPA.
  • Styles, M. (2011). Bravo Broadway. Dewan Filharminik, Malaysia.
  • Styles, M. (2011). Pictures at an Exhibition. Perth Concert Hall.
  • Styles, M., Rogers, K. (2011). WASO: Kenny Rogers. Lake Karrinyup Country Club.
  • Styles, M., Macdonald, G., Perkins, M., Abbey, N. (2011). Beijing Ninegates International Jazz Festival. National Library Concert Hall, Beijing.
  • Styles, M., Pinto, A. (2011). Nocturnal. Callaway Auditorium, University of Western Australia.
  • Styles, M., Minchin, T. (2011). Tim Minchin vs WASO. Kings Park.
  • Styles, M. (2011). Belshazzar's Feast. Perth Concert Hall.
  • Styles, M., Eastman, R., Eastman, M. (2011). Radioactive 2011. Subiaco Arts Centre.

Creative Arts Research Outputs

  • Styles, M. (2010). Malaysian Symphony Orchestra: Porgy and Bess, Rhapsody in Blue, An American in Paris - Saxophone. Dewan Filharmonik Petronas, KL, Malaysia.

Creative Arts Research Outputs

  • Styles, M. (2009). Rhapsody in Blue and Symphonic Dances from West Side Story. Perth Concert Hall.

Research Projects

  • Saxology: recasting third stream music for the saxophone , Edith Cowan University, ECU Early Career Researcher Grant - 2014, 2014 ‑ 2015, $23,560.

Research Student Supervision

Principal Supervisor

  • Doctor of Philosophy, Contemporary cross-genre vocal training for musical theatre performers and vocal teachers: An investigation into producing the vocal characters in contemporary singing for the modern musical theatre performer

Associate Supervisor

  • Master of Arts (Performing Arts), An analysis of motivic development and harmonic contour techniques in Pat Metheny Group’s album Imaginary Day, and their applications in original compositions
  • Doctor of Philosophy, Inducing Meditative States through Sonic Praxis: Uncovering the Musical Qualities of Sonic Meditations.

Principal Supervisor

  • Doctor of Philosophy, Emerging from the cocoon: Strategies to assist the classical violinist developing improvisational fluency in a range of musical styles
  • Doctor of Philosophy, Performance health for Saxophonists: Exploring Methods for Peak Performance and Injury Prevention
  • Doctor of Philosophy, The Belt's Got Soul! An investigation into the vocal characteristics of R&B/soul singing and the production of the 'belt voice' within this style
  • Doctor of Philosophy, An investigation into Theories of Odd Meter and Their Application to Jazz Composition and Improvisation
  • Doctor of Philosophy, The ‘Marimba-Vibe’ Double Keyboard: An Explorative Investigation of a Nascent Solo Percussion Idiom
  • Doctor of Philosophy, Reframing Boleslavsky: A Method for the Maximisation of the Utility and Aesthetics of Trumpet Performance in Musical Theatre

Associate Supervisor

  • Master of Arts (Performing Arts), Self-accompaniment and improvisation in solo jazz piano: Practice-led investigations of assimilation, ostinatos and 'hand splitting'
  • Master of Arts (Performing Arts), The composer as bricoleur: Notions of contemporary opera in the genesis of a short film
  • Master of Arts (Performing Arts), The application of konokol to guitar improvisation and composition
  • Master of Arts (Performing Arts), Towards interaction: Combining jazz techniques and idiomatic writing for varied ensembles. A collection of musical works -and- an exegesis
  • Doctor of Philosophy, Phantoms, an original jazz trio studio recording -and- dispelling phantoms: An Australian bassist exploring assumptions of jazz practice, an exegesis
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