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Dr Matthew Styles

Senior Lecturer

Staff Member Details
Telephone: +61 8 6304 6065
Email: m.styles@ecu.edu.au
Campus: Mount Lawley  
Room: ML2.111  
ORCID iD: https://orcid.org/0000-0003-4432-8684

Matt is Senior Lecturer in Saxophone studies, Coordinator of Honours (Music), postgraduate supervisor and musician injury researcher working with sports science specialists at the Western Australian Academy of Performing Arts.

Current Teaching

  • MUS4210 Research Preparation
  • MUS4220 Creative Project 1
  • MUS4215 Research Project
  • MUS 4225 Creative Project 2
  • MAP5116 Performing Arts Research Preparation
  • MAP6200 Masters Thesis
  • ART7200 Doctor of Philosophy (PhD) Creative Arts
  • MUS 1540, 545, 2542, 2544, 3540, 3546, 4621: Woodwind Workshop and Ensemble Studies
  • Junior and Senior Concert Practice

Background

Described as “… a convincing soloist…producing a stream of mellifluous sound..”,”.. soaring like some gently sonic meteor…” Matt Styles is one of Australia’s most versatile saxophonists. Equally at home in jazz, classical, funk, and avant-garde genres, Matt is a dynamic performer, composer, arranger, and educator who brings a wealth of experience and artistry to every stage and studio.

Matt has performing across the UK, Asia, and Australia with such artists as Ben Folds, Diana Ross, Dave Weckl, Olivia Newton-John, and The Manhattan Transfer, and has performed at international jazz and classical music festivals in Australian, Rome and Beijing and Singapore. His cross-genre album Home by 11 with Mix’t Trio is released on Tall Poppies Records.

In the classical realm, Matt has over 30 years’ experience performing as principal saxophonist with major orchestras including the Malaysian Philharmonic, Singapore Symphony, Tasmanian and Perth Symphony’s and the Western Australian Symphony Orchestra. He has premiered numerous major works including Hidden Love Song by Mark-Anthony Turnage and Three Colombian Scenes by Victoriano Rincon as well as concertos written for him, including Seasons of Life by Glyn and Holly Harrison’s Concerto for Saxophone.

Matt holds a doctorate in performance and pedagogy and recipient of a Churchill Fellowship. He studied at the Royal College of Music, London, and with renowned saxophonists including Bob Berg, Martin Roberston, Dr Kyle Horch, Dr Otis Murphy and Dr Eugene Rousseau.
Currently Senior Lecturer in Saxophone studies at WAAPA, Matt leads the Honours program, supervises postgraduate research, and directs the ‘Phone Co.’. He is committed to injury prevention research for saxophonists bringing together music and sports science, regularly presenting his research internationally.

With over 30 years of teaching experience, Matt is dedicated to nurturing the next generation of creative artists through workshops, masterclasses, and mentorship.

Professional Associations

Awards and recognition

National and International awards

  • 2004 Churchill Fellowship

Research areas and interests

  • Cross-genre pedagogy and performance
  • Bridging the divide between classical and jazz for classical musicians
  • Creating injury mitigation strategies for saxophonists through a multi-discipline approach with sports science

Qualifications

  • Bachelor of Music with Second Class Honours, The University of Western Australia.
  • Certificate IV in Training and Assessment TAE40116, Other WA registered training organisation, 2023.
  • Certificate IV in Training & Assessment, Edith Cowan University, 2013.
  • Doctor of Musical Arts, The University of Western Australia, 2008.

Research Outputs

Journal Articles

  • Demandolx, N., Nicholas, J., Hopper, L., Styles, M. (2025). Performance Health for Saxophonists: Saxophonists Perspectives and Experiences with Playing-Related Health, Wellbeing, Injuries and Education (Cohort Study). Music and Science, 8(Jun 2025), 14 pages. https://doi.org/10.1177/20592043251346328.

Creative Arts Research Outputs

  • Styles, M. (2022). The ‘unrestricted’ Saxophone ensemble. [musicical performance]. Matt Styles.
  • Styles, M. (2022). Night Music in Madrid: Cimarosa Concerto. [Musical Performance]. Government House Ballroom.

Creative Arts Research Outputs

  • Styles, M. (2021). Four pictures From New York. [Musical Performance]. Shenton Arts Arena.
  • Styles, M. (2021). Mementi World Premiere performance and Studio recording. [musical performance and album recording]. Richard Gill Auditorium and Callaway Music Studios (Perth). https://ro.ecu.edu.au/ecuworkspost2013/11976.

Creative Arts Research Outputs

  • Styles, M. (2020). Three Colombian Scenes: Concertino for saxophone and symphonic wind orchestra by Victoriano Valencia. [Musical Performance]. Perth Concert Hall, Perth, Western Australia.

Creative Arts Research Outputs

Creative Arts Research Outputs

Creative Arts Research Outputs

  • Styles, M. (2017). One for saxophone and CD. Astute Music.
  • Styles, M. (2017). Saxology; Home by 11. ABC Classical FM.

Creative Arts Research Outputs

  • Styles, M. (2016). Nemesis. St Patrick’s Basilica, Fremantle.
  • Styles, M. (2016). Adaptation of Symphonic Orchestral Performance Practices for the saxophone. Dewan Filharmonik, Malaysia.

Journal Articles

Creative Arts Research Outputs

  • Styles, M. (2015). WASO: Ravel's Bolero - Saxophone. Perth Concert Hall.
  • Styles, M. (2015). Mix't Trio - Cappuccino Concerts. Peppermint Grove Library.

Creative Arts Research Outputs

  • Styles, M. (2014). Jinga, saxophone ensemble score. Royal Northern College of Music.
  • Styles, M., Scott, A., Bernard, S. (2014). Rite of Passage: Arrivee - Musical Director. WAAPA Music Auditorium.
  • Styles, M. (2014). Bernstein and Gershwin: WASO Classics 2. Perth Concert Hall.
  • Styles, M. (2014). Principal Saxophonist for WASO's Romeo and Juliet. Perth Concert Hall.
  • Styles, M., Pinto, A., Tanner, P. (2014). Mix't Trio Recital. Music Auditorium, WAAPA.
  • Styles, M. (2014). Escapades. Music Auditorium, WAAPA.
  • Styles, M. (2014). Rachmaninov Symphonic Dances. Perth Concert Hall.
  • Styles, M. (2014). Bizet L’Arlésienne - Principal Saxophonist. Perth Concert Hall.
  • Styles, M. (2014). Fearful Symmetries, Hidden Love Song. Astor Theatre.
  • Styles, M. (2014). Pixar in Concert with the Malaysian Philharmonic Orchestra. Dewan Filharmonik, Kuala Lumpur.

Creative Arts Research Outputs

  • Styles, M. (2013). Compositional Techniques in Jinga (Rite of Passage). Royal Northern College of Music Concert Hall, Manchester.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio at Carey Baptist College. Carey Baptist College Auditorium, Harrisdale.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio at WAAPA. Music Auditorium, WAAPA.
  • Styles, M., Abbey, N., Perkins, M., Macdonald, G. (2013). Glyn MacDonald Group at the Ellington. Ellington Jazz Club, Perth.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio - Chamber Jam. Ellington Jazz Club, Perth.
  • Styles, M., Skinner, M., Pownall, L., McGowan, K., Boyd, A. (2013). Five Sax Orchestra. Ellington Jazz Club, Perth.
  • Styles, M., Pinto, A., Tanner, P. (2013). Mix't Trio - Integration. St Georges Hall, St George's College, Perth.
  • Styles, M. (2013). Saxophone embouchure injury: multi-genre performance problems. Recital Hall West, Sydney Conservatorium of Music, NSW.
  • Styles, M., Skinner, M., Pownall, L., McGowan, K., Boyd, A. (2013). Five Sax Orchestra at the Ellington. Ellington Jazz Club, Perth.
  • Styles, M. (2013). Royal Northern College of Music Saxophone Day lecture recital. Royal Northern College of Music Concert Hall, Manchester.
  • Styles, M. (2013). The Wooden Prince. Perth Concert Hall.
  • Styles, M. (2013). Rite of Passage. WAAPA Music Auditorium.
  • Styles, M. (2013). Royal Northern College of Music Saxophone Day Massed Saxophone Orchestra. Royal Northern College of Mmusic Concert Hall, Manchester.

Creative Arts Research Outputs

  • Styles, M., Pinto, A. (2012). Catalina, Nocturnal - Mixt. Byre Theatre, St. Andrew's, Scotland.
  • Styles, M. (2012). Carmichael, Travers and Debussy - Saxophone. The Basilica of St Patrick, Fremantle.
  • Styles, M. (2012). Boundaries - Turnage. Astor Theatre, Mt Lawley.
  • Styles, M. (2012). Australian Ballet's Romeo and Juliet. Burswood Theatre, Perth.
  • Styles, M., Pinto, A. (2012). Walk in my shoes lunchtime concert. Octagon Theatre, UWA.
  • Styles, M. (2012). Bernstein's Prelude Fugue and Riffs. Malaysian Philharmonic Orchestra.
  • Styles, M., Tarr, C., Abby, N., Macdonald, G. (2012). Glyn MacDonald Quartet. The Bakery, Northbridge.
  • Styles, M., Perissinotto, D. (2012). Churchill Fellowship Recital - Platti & Paulsson. St John's Anglican Church, Fremantle.
  • Styles, M. (2012). Saxophone Showcase - Director. Music Auditorium, WAAPA.
  • Styles, M. (2012). Horizons - Turnage. Astor Theatre, Mt. lawley.
  • Styles, M. (2012). Assembled - Music Director. Music Auditorium, WAAPA.

Conference Publications

  • Styles, M. (2011). What’s in a Name? Is the term ‘Third Stream Music’ truly representative of the music it is supposed to describe? Would the term ‘Jazzical’ be just as appropriate?. Power of Music: Joint MSA / ICME Conference, 2011 (1-12). University of Western Australia.

Creative Arts Research Outputs

  • Styles, M., Rogers, K. (2011). WASO: Kenny Rogers. Lake Karrinyup Country Club.
  • Styles, M., Moore, P. (2011). Kick. Music Auditorium, WAAPA.
  • Styles, M., Macdonald, G., Perkins, M., Abbey, N. (2011). Beijing Ninegates International Jazz Festival. National Library Concert Hall, Beijing.
  • Styles, M. (2011). Bravo Broadway. Dewan Filharminik, Malaysia.
  • Styles, M. (2011). Pictures at an Exhibition. Perth Concert Hall.
  • Styles, M. (2011). Belshazzar's Feast. Perth Concert Hall.
  • Styles, M., Minchin, T. (2011). Tim Minchin vs WASO. Kings Park.
  • Styles, M., Pinto, A. (2011). Nocturnal. Callaway Auditorium, University of Western Australia.
  • Styles, M., Eastman, R., Eastman, M. (2011). Radioactive 2011. Subiaco Arts Centre.

Creative Arts Research Outputs

  • Styles, M. (2010). Malaysian Symphony Orchestra: Porgy and Bess, Rhapsody in Blue, An American in Paris - Saxophone. Dewan Filharmonik Petronas, KL, Malaysia.

Creative Arts Research Outputs

  • Styles, M. (2009). Rhapsody in Blue and Symphonic Dances from West Side Story. Perth Concert Hall.

Research Projects

  • Saxology: recasting third stream music for the saxophone , Edith Cowan University, ECU Early Career Researcher Grant - 2014, 2014 ‑ 2015, $23,560.

Research Student Supervision

Principal Supervisor

  • Doctor of Philosophy, Towards improvisatory fluency in a range of musical styles: Developing skills and strategies to overcome improvisational hesitancies as a classically trained violinist
  • Doctor of Philosophy, Contemporary cross-genre vocal training for musical theatre performers and vocal teachers: An investigation into producing the vocal characters in contemporary singing for the modern musical theatre performer
  • Doctor of Philosophy, Reframing Boleslavsky: A Method for the Maximisation of the Utility and Aesthetics of Trumpet Performance in Musical Theatre

Associate Supervisor

  • Doctor of Philosophy, Inducing Meditative States through Sonic Praxis: Uncovering the Musical Qualities of Sonic Meditations.

Principal Supervisor

  • Doctor of Philosophy, Performance health for Saxophonists: Exploring Methods for Peak Performance and Injury Prevention
  • Doctor of Philosophy, The Belt's Got Soul! An investigation into the vocal characteristics of R&B/soul singing and the production of the 'belt voice' within this style
  • Doctor of Philosophy, An investigation into Theories of Odd Meter and Their Application to Jazz Composition and Improvisation
  • Doctor of Philosophy, The ‘Marimba-Vibe’ Double Keyboard: An Explorative Investigation of a Nascent Solo Percussion Idiom

Associate Supervisor

  • Master of Arts (Performing Arts), Self-accompaniment and improvisation in solo jazz piano: Practice-led investigations of assimilation, ostinatos and 'hand splitting'
  • Master of Arts (Performing Arts), The composer as bricoleur: Notions of contemporary opera in the genesis of a short film
  • Master of Arts (Performing Arts), The application of konokol to guitar improvisation and composition
  • Master of Arts (Performing Arts), Towards interaction: Combining jazz techniques and idiomatic writing for varied ensembles. A collection of musical works -and- an exegesis
  • Doctor of Philosophy, Phantoms, an original jazz trio studio recording -and- dispelling phantoms: An Australian bassist exploring assumptions of jazz practice, an exegesis
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