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Dr Philip Everall
Dr Philip Everall
Lecturer
| Telephone: | +61 8 6304 6637 |
|---|---|
| Mobile: | 0414 996 032 |
| Email: | p.everall@ecu.edu.au |
| Campus: | Mount Lawley |
| ORCID iD: | https://orcid.org/0000-0003-2922-3390 |
Philip is a Lecturer in Classical Music and is Head of Woodwind at the Western Australian Academy of Performing Arts.
Current teaching
- MUS1570 - Music History: Classic to Romantic
- MUS2578 - Music History: The Shock of the New
- MUS1140 - Music of Our Time: The Australian Musical Landscape
- Clarinet Studio
- Musical Director: Symphonic Wind Ensemble
- Classical Senior Concert Practice
- Classical Woodwind Workshop
- Chamber Music
Background
Philip Everall is Lecturer in Classical Music at WAAPA, where he is Head of Woodwind, Musical Director of the Symphonic Wind Ensemble, and lecturer in performance, ensembles, and music history. An internationally recognised bass clarinettist, he has performed with ensembles including the Ebony Band of the Concertgebouw, The Schoenberg Ensemble, ASKO, Bang on a Can All-Stars, and Sequitur, among many others. As an orchestral clarinettist and bass clarinettist, Philip performs regularly with the West Australian Symphony Orchestra, and has been a guest with the Adelaide, Tasmanian, and Melbourne Symphony Orchestras, Orchestra Victoria, and the Malaysian Philharmonic Orchestra.
Philip completed his PhD at ECU, developing a digital resource for contemporary bass clarinet performance techniques. His research continues to focus on extended techniques, performer-centred approaches to new repertoire, and the relationship between notation, acoustics, and performance practice. Alongside this work, he also undertakes research in music history pedagogy, exploring ways to reconnect historical study with artistic practice so that music history becomes an active component of performance, interpretation, and musicianship for tertiary students.
Awards and recognition
University and National Teaching Awards
- 2016 – ECU WAAPA Research Medal
Research areas and interests
- Bass Clarinet extended techniques
- Contemporary performance practices
- Music History pedagogy
Qualifications
- Doctor of Philosophy, Edith Cowan University, 2016.
- Masters programme of Music, Netherlands, 2005.
- Bachelor of Music, The University of Western Australia, 2003.
Research Outputs
Creative Arts Research Outputs
- Everall, P., Marks, A. (2019). Under Over Through. Richard Gill Auditorium - WAAPA.
Creative Arts Research Outputs
- White, T., Everall, P. (2014). Inventing a New World: New Music for Percussion and Clarinet. WAAPA Music Auditorium.
Creative Arts Research Outputs
- Everall, P., Traicos, CS. (2013). The Unnatural Congress of Still Beating Hearts. Concert Hall, Sydney Opera House.
Research Projects
- New Discipline: building a repertoire for bass clarinet and piano, Edith Cowan University, ECU Early Career Researcher Grant - 2019, 2019 ‑ 2020, $20,080.
Research Student Supervision
Associate Supervisor
- Doctor of Philosophy, Re-imagining Bassoon Technique through Deconstruction
- Doctor of Philosophy, Vaghezza in ornamental practice on the theorbo in early 17th century Italy and its connection to my contemporary performative and compositional praxis
Associate Supervisor
- Master of Arts (Performing Arts), Examination of the Evolution of Multi-percussion
- Master of Arts (Performing Arts), The Matusiflute: Exploring Intercultural Collaboration Through Timbral Dízi Emulation Within an Australian-Chinese Orchestral Performance Setting
- Master of Arts (Performing Arts), Applications of Béla Bartók's Techniques of Pitch Organisation to Jazz Improvisation
- Master of Arts (Performing Arts), Making the most of life's uncertainty: An analysis of the philosophies and musical language of David Ades