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  • Jeremy Neideck at the Western Australian Academy of Performing Arts

    Dr Jeremy Neideck

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Dr Jeremy Neideck

Lecturer

Staff Member Details
Telephone: +61 8 6304 2277
Mobile: +61 435 747 333
Email: j.neideck@ecu.edu.au
Campus: Mount Lawley  
Room: ML2.206  
ORCID iD: https://orcid.org/0000-0003-4469-4836

Jeremy is the Course Coordinator of the Bachelor of Performing Arts at the Western Australian Academy of Performing Arts.

Current teaching

  • PMA1005 - Voice Fundamentals
  • PMA2001 - Practical Project: Solo
  • PAM2113 - Theatre Workshop 2
  • BPA3545 - Creativity and Collaboration in the Performing Arts
  • PMA1004 - Devising: Text, Character and Story
  • PMA2002 - Practical Project: Group (Generator)
  • PMA2011 - Puppetry
  • PAM3104 - Stage Combat
  • PAM2103 - Theory of Directing

Background

Jeremy Neideck is a performance maker and academic who has worked between Australia and Korea for almost two decades, investigating the interweaving of cultures in performance; the intersection of queer identities and theories in performance; and the modelling of new and inclusive social realities. The recipient of scholarships from Aphids, Australia-Korea Foundation, Asialink, and Brisbane City Council, Jeremy has undertaken residencies at The National Art Studio of Korea, The National Changgeuk Company of Korea, and The Necessary Stage (Singapore).

His work Jiha Underground, co-written with Nathan Stoneham for Motherboard Productions, was nominated for a Matilda award and sold-out its seasons at Metro Arts, Brisbane Festival, World Theatre Festival, and the 2014 HiSeoul Festival, and is currently on the development slate for Screen Queensland and SBS. His experimental dance theatre work Deluge: 물의기억 premiered at the Brisbane Festival in 2014, and toured the Seoul International Dance Festival enjoying a return season at the Namsan Drama Center in 2015. Jeremy’s work 심청 Shimchong: Daughter Overboard was a reimagination of the traditional Korean tale of Shimchong that combined pansori, poetry, and political satire in a work of physical theatre premiered at WTF 2016.

Jeremy holds a PhD from Queensland University of Technology, where he taught across the disciplines of drama, music, and dance, and led movement training and direction in the BFA (Acting) program for a decade. Jeremy regularly consults on the architecture and facilitation of collaborative projects and programs of institutional and community transformation.

Awards and recognition

National and  International awards

  • 2016 - QUT Outstanding Doctoral Thesis Award $1,000
  • 2016 - Currency House / Copyright Agency Cultural Leadership Mentorship
  • 2013 - Brisbane City Council Lord Mayor's Fellowship for Young and Emerging Artists $19,994
  • 2013 - Asialink Residency $9,000
  • 2010 - JUMP National Mentoring Program for Young and Emerging Artists $5,000
  • 2009 - APHIDS – Choose Your Own Adventure Scholarship $2,000
  • 2009 - Australia-Korea Foundation – Scholarship $2,332

Research areas and interests

  • interweaving of cultures in performance
  • intersection of queer identities and theories in performance
  • modelling of new and inclusive social realities
  • embodied performer training
  • Korean studies

Qualifications

  • Doctor of Philosophy, Queensland University of Technology, 2016.
  • Bachelor of Creative Industries (Drama), Queensland University of Technology, 2006.

Research Outputs

2022

Journal Articles

  • Neideck, J., Stoneham, N., Park, Y., McKeague, M. (2022). We’ll Meet You Underground”: Transcultural Performance Practices in Queer Space And Time. Australasian Drama Studies, 2022(81), 203-236.
  • Moor, AL., Neideck, J., Fabila, J., Brown Ash, M. (2022). Growing Trees of Culture: Using Appreciative Inquiry and embodied placemaking as strategies for self-regulation inside the conservatoire. Performance Research: a journal of the performing arts, 27(6-7), 229-237. https://doi.org/10.1080/13528165.2022.2198870.
  • Loth, J., Neideck, J. (2022). The art of experiencing: Appreciative actor training for developing well-being, artistry, and a ‘glowing individuality’. Theatre, Dance and Performance Training, 13(2), 285-299. https://doi.org/10.1080/19443927.2022.2052172.

2021

Journal Articles

  • Kelly, K., Rixon, T., Neideck, J., Pike, S., Brumpton, A. (2021). Dark Mountain: scenography for the end of the world and a more-than-human future. Theatre and Performance Design, 7(3-4), 163-179. https://doi.org/10.1080/23322551.2021.1996105.
  • Park, Y., Neideck, J., Heim, C. (2021). South Korean Audiences and their Interactive Performance in the Madang Then and Now. Critical Stages, 2021(2021), 1-24 pp.
  • Neideck, J., Pike, S., Kelly, K., Henry, K. (2021). The Iconography of Digital Windows—Perspectives on the Pervasive Impact of the Zoom Digital Window on Embodied Creative Practice in 2020. Body, Space and Technology, 20(1), 51-60. https://doi.org/10.16995/bst.365.
  • Neideck, J., Kelly, K. (2021). A special relationship: a broad survey of Japanese performance training methodologies’ influence on Brisbane actor training since the 1990s. Theatre, Dance and Performance Training, 12(3), 450-469. https://doi.org/10.1080/19443927.2021.1943507.

2020

Journal Articles

  • Pike, S., Neideck, J., Kelly, K. (2020). ‘I will teach you in a room, I will teach you now on Zoom … ’: a contemporary expression of zooming by three practitioner/academics in the creative arts, developed through the spirit of the surrealist’s exquisite corpse. International Journal of Performance Arts and Digital Media, 16(3), 290-305. https://doi.org/10.1080/14794713.2020.1822048.
  • Park, Y., Neideck, J. (2020). A single drop of water: Vulnerability, invisibility, and accountability in South Korean theatre’s moment of crisis. Performance Paradigm, 15(2020), 56-80.

Creative Arts Research Outputs

  • Neideck, J., Stoneham, N., Park, Y., McKeague, M. (2020). Remember Underground. [Performance]. Company Bad (AUS), Metro Arts (AUS).
  • Neideck, J., Park, Y., Stoneham, N., McKeague, M. (2020). Hello Project Online. http://www.helloproject.online.

2019

Book Chapters

  • Neideck, J. (2019). "We need to keep one eye open . . . ": Approaching butoh at sites of personal and cultural resistance. The Routledge Companion to Butoh Performance (343-357). Routledge.

Creative Arts Research Outputs

  • Neideck, J., Park, Y., Stoneham, N. (2019). Hello Project. [Performance]. Company Bad (AUS), StaffSeoul (ROK), Chuncheon Arts Festival (ROK), Women Striving for a Better Tomorrow (ROK).
  • Neideck, J., Stoneham, N., Park, Y., McKeague, M. (2019). Hello Project - Winter 2019. [Performance]. Company Bad (AUS), 10 Spoons / Staff Seoul (ROK), Chuncheon Arts Festival (ROK).
  • Evans, D., Park, Y., Neideck, J., Boyle, B. (2019). Chorale (Creative Development). Company Bad (AUS), debase productions (AUS).

Research Projects

  • Fabulous Heroes: Building an open archive of queer hopes, dreams, and notions of a good life in contemporary Australia, Edith Cowan University, Early-Mid Career Researcher Grant Scheme 2022 (Stream 2), 2023 ‑ 2024, $37,846.

Research Student Supervision

Current Supervisions

Completed Supervisions

Associate Supervisor

  • The Arts as a Networked Ecosystem: Visualising Relationships in Brisbane's Performing Arts Sector
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